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Work Information

Per Nørgård : Animals in concert


Work Notes Animals in Concert is an suite of piano pieces, so far comprised of
1.A Tortoise´s Tango – Skildpadde-tango (1984). dur.: 4´
2.Light of a Night – Paul meets bird (1989). dur.: 6´
3.Hermit Crab Tango, Esperanza – Eremitkrebs-tango, Esperanza (1997). dur.: 5´
Stykkerne kan opføres samlet eller hver for sig.
Publisher
Edition Wilhelm Hansen Copenhagen
Category Solo Keyboard(s)
Year Composed
1997
Duration 15 Minutes
Orchestration
Piano

Programme Note

ANIMALS IN CONCERT (1984/1997) - for solo piano..

1. A Tortoise´s Tango (1984) – dur.: 4´
2. Light of a Night – Paul meets bird (1989) - dur.: 6´
3. Hermit Crab Tango – Esperanza (1997) - dur.: 5´

The pieces can be performed together or one by one.

“A Tortoise´s Tango”: The tortoise as tango dancer must presumably possess certain rhythmic peculiarities, which I have chosen to express by letting the tune of the tortoise shuffle broadly, tripartite through the strict four partite time of tango.
Tortoise Tango was the original title of this piece, “written for Achilles” (the pianist Yvar Mikhashoff), for his so called tango project”, including new tangos for piano by composers from all over the world.

“Light of a Night (Paul meets bird)” was commissioned by pianist Aki Takahashi. It is a “reworked” arrangement for piano of the Beatles song ”Blackbird”. As some of us will recall, the Beatles on “The White Album” let the beautiful song to the blackbird be accompanied by an (apparently) live blackbird song. It is this authentic bird-motif world that in “Light of a Night” weaves itself into the Beatles melody and in turn is gradually infected by it, so that a completely new third entity ensues: a kind of Bird-rock ballad (or maybe it is a Beatle-bird?).

“Hermit Crab Tango (Esperanza)”: The tango situation is quite special for a Hermit Crab. It is a well-known fact that the hermit crab - this soft animal - must run the gauntlet among the many perils at the bottom of the sea when it must move hose. I have chosen to express the angers by a tango pattern - sharp as a cactus - through which the tune, optimistic, slips to its new shelter. I have borrowed the tune from songwriter Hanne Methling´s “Introduction”: ´I want to get through this time!’ she sings in a ecstatically ascending melody line - and I believe that these words must correspond very well to the mood of the hermit crab: ´Esperanza´- the green runners of hope wind among the latticework formed by the tango rows.
Per Nørgård

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