Reviews

• As with its two predecessors, this work confronts the perennial challenges of symphonic writing head-on – its three movements (lasting 27 minutes) bringing a Classical rigour and focus to bear on material that, in common with Nørgård's music these past two decades, has an aural and expressive spontaneity such as offers numerous possibilities but also a ready incitement to listening: the expected and unpredictable brought into a poised and constantly changing accord.
  Richard Whitehouse, The Classical Source